
Overdue post: my poem, “Horrorshow”, is in A Luxury We Cannot Afford: An Anthology of Singapore Poetry, edited by Christine Chia and Joshua Ip and published by Math Paper Press.
Check out the review of the anthology by Prof Philip Holden here.
The Official Website of Laremy Lee (李庭辉)

Overdue post: my poem, “Horrorshow”, is in A Luxury We Cannot Afford: An Anthology of Singapore Poetry, edited by Christine Chia and Joshua Ip and published by Math Paper Press.
Check out the review of the anthology by Prof Philip Holden here.

Since 2011, when I reviewed Tan Tarn How’s Six Plays, I’ve made it a point to review a Singaporean literary text for each Jul issue of the Quarterly Literary Review, Singapore (QLRS).
This year, I’ve reviewed Noon at Five O’Clock: The Collected Short Stories of Arthur Yap (Edited by Angus Whitehead).
Dusty Gems
Collection highlights little-known area of Arthur Yap’s work
Edited by Angus Whitehead, an assistant professor of English literature at the National Institute of Education in Singapore, Noon at Five O’Clock: The Collected Short Stories of Arthur Yap is a volume of eight short stories that comes on the back of The Collected Poems of Arthur Yap (NUS Press, 2013). Both volumes arrive eight years after Yap’s passing — a timely reminder of the 1983 Cultural Medallion winner’s contribution to Singapore’s arts scene in a milieu currently predisposed to lauding the “pioneer generation”.
While Yap’s poetry is synonymous with the Singapore literary canon, it is the mention of his short stories that pulls the reader up short: the average literature reader in my generation, and later, is probably unaware that Yap wrote fiction. Thus, kudos must go to Whitehead for his imagination and insight in tracking down and putting together this volume, so that the breadth of Yap’s talents can be fully appreciated by a wider audience.
(continued…)

Wow! That was a long hiatus.
Besides publicising a couple of events/articles I wrote (what’s worse: some posts are backdated D:), I haven’t posted regularly since late October.
No prizes for guessing why – I was busy with many things and I thought I’d list them briefly here for posterity:
(To be honest, I don’t really like consolidated posts like these; I feel they’re a bit of a cop-out and besides, if the moment has passed, we should just let it go.
But I know I need to sum up what’s been going on before I can move on to two very important upcoming posts I need to make.)

The Biennale is pretty awesome, BTW, so do check it out if you haven’t already done so.

I also contributed a couple of theatre reviews to The Straits Times Life! section – you can read snippets of the articles here.
I’m not going to discuss what I’m doing because I want to devote a post to this.
So all I’m going to say is: news embargoed until further notice.


BONUS: Surprise Siew Kum Hong.
So it was a busy but fun two months, hence the radio silence.