Keynote: Where is writing in an age of everything digital?
Writing has always evolved with the medium by which it is used for–from stone and bark, to papyrus reeds, from paper and moveable type to changing the way Man tells his stories. Where is writing now, in the midst of the digital and augmented reality revolution, and where is it headed?
I presented the keynote address for the All In! Young Writers Festival 2018 on the topic “Where is writing in an age of everything digital?”
The session was moderated by Graham Gamble and took place on/at:
Date: Sat, 17 Mar 2018
Time: 10am to 11am
Venue: The TreeTop (Function Room), *SCAPE
Check out the speech here.
Where do we teach?
How does the place in which we teach literary works influence what we teach?
Join me, Matilda Gabrielpillai and Erin Woodford on this panel, as we share our experience of both institutional and non-institutional environments for teaching literature, and debate the possibilities and limitations that such contexts provide.
The session will be moderated by Philip Holden.
Date: Thu, 24 Nov 2016
Time: 7.30pm to 9pm
Venue: The Select Centre (Blk 231 Bain Street, #04-01 Bras Basah Complex, Singapore 180231)
Price: Pay as you wish at the door (suggested contribution $10)
*It’s shoes off at the space, so please dress comfortably!
Register at this link.
Join the Facebook event here.
I’ll be speaking at this discussion in less than a fortnight!
SWF Book Launch: Discussion on Big Mole and Spider Boys
Date: Wed, 4 Nov 2015
Time: 7pm to 8pm
Venue: The Arts House
After making waves in the global literary scene for introducing Singaporean literature to an international audience, the highly anticipated sequel to Ming Cher’s Spider Boys, Big Mole, has finally hit the bookshelves. Initially published in 1995 by Penguin New Zealand, Spider Boys was lauded for its use of vernacular language – and once again, this effective use of local colloquialisms has continued with Big Mole.
From Singlish to local slang words, we speak a language that is unmistakably and uniquely Singaporean. And if this everyday language is what sets the tone and scene for a homegrown story, how does it then affect our understanding of a Singaporean novel?
In this discussion, literary critic and writer Gwee Li Sui, NIE Assistant Professor Angus Whitehead and SOTA’s Subject Head of English Literature Laremy Lee will be sharing their opinions on Ming Cher’s use of language in his work, and in particular, how this feeds into his contribution to local literature.
See you there!