OTOT on Saturday.

When I walked into the Drama Centre on Saturday evening, my aunt came up to me with a look of utmost sombreness upon her face and said in a conspiratorial whisper, “Aunty Janki’s son is here.”

“Who is Aunty Janki’s son??” I asked.

“The… Kamal,” she said.

“Who’s Kamal???”

Turns out ‘Kamal’ was none other than Kishore Mahbubani, who had come to watch OTOT with his missus, because both their sons were in NS and Mrs M felt that the Ms had to watch OTOT to better understand NS and what their sons were going through.

That’s what I gathered from the Sindhi side of my family who were huddled around me, as they’d also come to watch OTOT as well. Just then, ‘Kamal’ walked by and we talked for a minute or so – I told him that there was going to be “some strong language” in the play; he joked that he was going to leave then.

During the intermission, I joined my family where they were seated, in the middle of the theatre. Coincidentally, Kishore was sitting one row behind us.

He jokingly said that he thought the language wasn’t strong enough. He also added that the French ambassador was around, and was asking what one word in particular meant. No one dared to tell him what it meant in English, but a clever soul told him that the word translated to ‘la chatte’ in French. Nice work, diplomats.

From a conversation Julian Wong and I were having.

We were discussing our annoyance at how people relentlessly compare OTOT to Army Daze, which is, in our humble opinion, missing the forest for the trees. Julian’s words (edited for clarity) are contained within the inline text; my replies in normal text.

~

…I guess people use the Army Daze thing because they have nothing to compare it to. If someone else wrote a play about transsexuals, the audience might compare it to Private Parts too.

That’s true. People are always looking for familiarity and something to relate to so they can make sense of the world. Hence the use of stereotypes, which we are both also guilty of using in our plays… Hehe :)

But as a friend of mine said, there is space in the hearts of most people here to accept another play about the NS experience. If people can’t open their hearts and minds enough to accept that OTOT is different, then they’re missing out on a lot.

NS is experienced by every person here (for every guy that enlists, his whole family and circle of friends go through it with him in their own way) – surely it deserves to be shared and celebrated in more ways and more plays than Army Daze!

P. S. If we’re getting this comparison now, think how terrible it must be for the next person who comes along and writes something about NS!

Witness the awesomeness of Full Tank.

In this short video clip put together by yours truly, that shows half the cast rehearsing the Prologue.

It’s one of the more ‘serious’ moments in the play, so don’t be fooled by the deadpan acting. Alternatively, check out some pictures of the cast warming up before rehearsal.


Brendon and Terry


Koey, Dwayne, Ghaz and Rodney


Qian Chou and Nelson

More pictures here.

It’s gonna be a great show everyone – I personally guarantee it. Make sure you’re able to say, “I watched Own Time Own Target and was blown away” i.e. buy your tickets now.

Promotional video for Own Time Own Target.

I think? Or maybe Ghaz created it. I don’t know. But it rocks, so please watch it!

The route that the tank takes in Full Tank!

In case you didn’t know, all the geography in Full Tank! is real. (It has to be; I wouldn’t sell you a lie.) So the route that the tank takes is one that can actually be mapped out.

I’ve saved everyone (i.e. scholars who might want to study my works next time, LOL) the trouble of mapping the route by using Google Maps to show you how the tank travels. I’ve included placemarks in the map, so please click on them. There’s some very valuable information in there, including pictures, which might help you visualise the geography a bit better.

For those inclined toward academia, you may want to think about how geography is mediated in literature. Or perhaps how Web 2.0 tools might be used to bring literature/drama a bit closer to everyone?


View Full Tank! in a larger map

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