A luxury we must afford

Tue, 3 Jan 2017
2 min read
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A Luxury We Must Afford: An Anthology of Singapore Poetry. (PHOTO: Math Paper Press)
A Luxury We Must Afford: An Anthology of Singapore Poetry. (PHOTO: Math Paper Press)

My poem, “Where The Wild Things Are”, is in A Luxury We Must Afford: An Anthology of Singapore Poetry.

The anthology is edited by Christine Chia, Joshua Ip and Cheryl Julia Lee and published by Math Paper Press.

Details of the anthology launch:

Date: Sun, 15 Jan 2017
Time: 6pm to 7pm
Venue: The Chamber at The Arts House (1 Old Parliament Lane, Singapore 179429)

Synopsis:
What does the future of Singapore hold?

In 2015, the anthology A Luxury We Cannot Afford commemorated 50 years of man-made myth – 50 years of mysteries and ministries, Marxists and memorandums, the Merlion and The Man – and whether the 1969 assertion that “poetry is a luxury we cannot afford” still held true in the 2010s.

Instead of looking back, this companion volume to the first looks forward to everything SG51 and beyond. It is a collection of bold narratives of Singaporeans shaping their own future, a cornucopia of hyper-modern dreams of robots and aliens, yet also tales of muted despair at a future slipping out of touch with the past.

In the face of a fraught, uncertain future, there is no longer any need to debate whether poetry is an unaffordable luxury. In times like these, writers are the ones who must step up and reimagine possibility, speak out for hope and humanity, and inscribe the circumference of our soul. In 2017, poetry is…a luxury we must afford.

Please go for the launch by signing up here.

Read my poem here.

You can also read “Horrowshow”, which appeared in A Luxury We Cannot Afford, here.

Panel – Literally Speaking: Where do we teach?

Tue, 22 Nov 2016
1 min read
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Literally Speaking logo.

Where do we teach?
How does the place in which we teach literary works influence what we teach?

Join me, Matilda Gabrielpillai and Erin Woodford on this panel, as we share our experience of both institutional and non-institutional environments for teaching literature, and debate the possibilities and limitations that such contexts provide.

The session will be moderated by Philip Holden.

Date: Thu, 24 Nov 2016
Time: 7.30pm to 9pm
Venue: The Select Centre (Blk 231 Bain Street, #04-01 Bras Basah Complex, Singapore 180231)
Price: Pay as you wish at the door (suggested contribution $10)

*It’s shoes off at the space, so please dress comfortably!

Register at this link.
Join the Facebook event here.

Poet of colour

Tue, 31 May 2016
1 min read
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I’ve always thought of myself in these terms (in no particular order): writer, artist, educator, editor, and so forth.

At most, I’ve included the adjective “Singaporean” in front of the first two nouns, or “based in Singapore” behind the latter two to provide a sense of context.

But never in a million years have I thought of myself and my work in terms of race.

So I was pleasantly surprised – and very amused – to find myself being described as a “poet of colour”, as seen from one of the hashtags on this post:

Apparently, I'm a poet of colour 😂
Apparently, I’m a poet of colour 😂

It’s one of the few times – beyond form-filling and direct or indirect racist comments made in my presence, because people are occasionally unable to grasp my ethnic makeup – that I’m forced to confront the fact that race matters a lot more to other people than it does for me.