Off Centre: A Necessary Resource

OFF CENTRE: A NECESSARY RESOURCE
WITH CONTRIBUTIONS BY ALVIN TAN, LAREMY LEE AND AKANKSHA RAJA

Off Centre: A Necessary Resource is the much-awaited guide to Off Centre, one of Singapore’s most celebrated plays. This resource guide comprises material that will greatly benefit all educators and students of Off Centre. It features pedagogical notes, insights on the play, as well as a question and answer section with the playwright, Haresh Sharma.

Off Centre made history in 2007 by being the first Singapore play selected by the Ministry of Education to be offered as a GCE O- and N-Level literature text. The play, best remembered for presenting an honest and unflinching look at mental illness and the social prejudices surrounding it, has been back on the syllabus since 2018.

Off Centre: A Necessary Resource also features:

  • Founder and Artistic Director of The Necessary Stage, Alvin Tan shares his insight on directing and staging Off Centre
  • Educator Laremy Lee provides a useful guide on approaching narrative, characters, themes, and theatrical and stylistic devices in the play
  • Journalist Akanksha Raja reflects on her experience studying Off Centre

Off Centre: A Necessary Resource is available at The Necessary Stage and other select bookstores.

Email admin@necessary.org to purchase a copy now.

Retail Price: $16.00
ISBN No. 978-981-11-8956-2

Satire in an age of fake news

Trump and the "very, very stupid people" (IMAGE: Tom Toles)
Trump and the “very, very stupid people” (IMAGE: Tom Toles)

As an aside, this Ministry of Chindian Affairs thing is a long-running joke between me and my friends.

The last time I posted about it was in 2014 – and in how things have changed since then.

I thought it was telling – and a bit sad, really – that today, I had to explicitly tag/indicate that this post was #satire.

I had a conversation a while back with a fellow writer about art, where we talked about the tension between accessibility and obscurity when it comes to writing.

We don’t have to be too obvious, she said. The reader should get what it is we want to say, without us trying too hard.

And if they don’t get it, so what? Their loss.

It’s a different age now.

It’s become compulsory to make clear that what is written is satirical, just to prevent keyboard warriors from coming up with trumped-up charges of “fake news”.

Perhaps the writing was on the wall in late 2016, after Trump got elected.

Back then, I noticed how The Borowitz Report’s slogan quietly changed from “The news, reshuffled” to “Not the news”.

Subsequently, the column name itself evolved from “The Borowitz Report” to “Satire from the Borowitz Report” sometime in 2017.

It’s sad when the assumption is that the reader will wilfully misinterpret what it is we are say, so all subtlety has to be forsaken.

And it doesn’t say much about the state of intelligence in society, as well as skills of critical thinking, media literacy and all that jazz.

Then again, maybe it might make for a more compelling reason for why learning literature should be compulsory.

Because if a child can’t even interpret irony, then how is she going to begin to figure out fake news?

Keynote: Where is writing in an age of everything digital?

All In! Young Writers Festival logo.

Keynote: Where is writing in an age of everything digital?
Writing has always evolved with the medium by which it is used for–from stone and bark, to papyrus reeds, from paper and moveable type to changing the way Man tells his stories. Where is writing now, in the midst of the digital and augmented reality revolution, and where is it headed?

I presented the keynote address for the All In! Young Writers Festival 2018 on the topic “Where is writing in an age of everything digital?”

The session was moderated by Graham Gamble and took place on/at:

Date: Sat, 17 Mar 2018
Time: 10am to 11am
Venue: The TreeTop (Function Room), *SCAPE

Check out the speech here.