Rethinking Political Progress in Singapore Beyond the Pass/Fail Lens

    Workers Party rally in Anchorvale, Singapore, during GE2025 (Photo: Laremy Lee)

    Singaporeans have long rolled their eyes at the stereotypical Asian parent mentality that often defines societal attitudes towards learning and education.

    You know how it is; nothing is ever quite good enough. An A- is dismissed for not being an A. One’s accomplishments are frequently measured against those of others, prompting questions like: “Why you never score higher than your friend?”

    Though we have since come to decry this attitude whenever it rears its ugly head, it’s strangely ironic to see that same spirit unabashedly manifest itself after the dust had settled on GE2025.

    Much of the public reaction thus far, from those who desire more pluralism in Parliament, has been to lambast and lampoon opposition parties for their perceived failure to wrench more constituencies away from the ruling People’s Action Party (PAP).

    Worse still is the hand-wringing over Singapore’s supposed failure to mature as a democracy, simply because more non-PAP voices haven’t been elected to Parliament to offer broader, more incisive perspectives.

    The dismay is understandable. It speaks to the “divine discontent” in our Singaporean DNA, which then-Prime Minister Lee Hsien Loong described in 2016 in his National Day Rally speech as a function of us being “always not quite satisfied with what we have, always driven to do better”.

    Nevertheless, while the disillusionment is understandable, it may be misplaced—highlighting instead an opportunity for a hopeful, collective mindset shift among Singaporeans and their leaders. One that can lay the foundation for a stronger, more resilient future in the next six decades to come.

    (Continue reading the full article here.)

    (Published as “Rethinking Political Progress in Singapore Beyond the Pass/Fail Lens” on 11 May 2025 in Rice Media.)

    General Lee x Laremy Lee: Long Time Coming / Say It Like It Is

    Described as a meeting of the minds between North Mississippi hill country blues and Singapore poetry, Long Time Coming x Say It Is Like It Is is one of the earliest collaborations between General Lee and me.

    The song by the Singapore-based rock ‘n’ roll band is an observation of the roots of modern poverty and systemic inequality in historical injustice, while my poem responds to these themes through a scathing satire of privilege, addressing anxieties about poverty on different points of the ideological spectrum at the same time.

    I will be reprising this work together with DeltaV at our upcoming performance, Singaporeana Blues, this Friday, 28 March 2025 from 7-9.30pm at the Esplanade Outdoor Theatre.

    See you then!

    Call It Singaporeana

    General Lee and I return to perform our works again, this time as part of the Singapore Writers Festival.

    Our performance – titled Call It Singaporeana – is a music and spoken-word collaboration focused on telling Singapore stories.

    Each piece integrates an original song by General Lee with a poem or literary text written by me, in response to their music, where we bring together music, theatre and literary arts to imagine (or reimagine) Singaporeana – Singapore stories of our country’s history, myths and legends, and to tell (or retell) them through word and song.

    General Lee will also be arranging their music in collaboration with The Good Company to incorporate acoustic instruments integral to American folk music such as the fiddle, the banjo and the mandolin.

    The Good Company – comprising Kailin Yong, Kelly Olafson and Mark James Garratt – is a collective of musicians well-versed in the acoustic instruments that define the sound of Americana, or American folk music. This includes country, bluegrass and old-time music of the Appalachian Mountains.

    A little teaser about what’s new and different from the previous show:

    • We’ll be debuting two new works: Murder in Toa Payoh x Confidence Man and No Place for the Blues x The Yellowgreenhouse.
    • While General Lee’s songs from their eponymous debut album released in 2016 form the bulk of the collaboration, “Murder in Toa Payoh” is one of their newer songs that hasn’t been released on an album yet.
    • “The Yellowgreenhouse” is a monologue written in response to “No Place for the Blues”. It’s a bit of a departure from poetry as I wanted to try something a bit different and I felt the form was better suited to the theme and subject matter of my response to their song.
    • Playwright and director Lucas Ho provides dramaturgy for this performance.
    • We’ll also have drummer Sami Kizilbash sitting in for the show.

    It takes place this Sun, 13 Nov 2022 at the Festival Village (roughly between Victoria Theatre and Anderson Bridge).

    There’ll be two sets – one from 5pm to 5.45pm and the other from 8pm to 8.45pm – so come for one or both, depending on your schedule (note: both sets have different works).

    See you then!