Let’s clarify something, people.

Army Daze is Army Daze, and Own Time Own Target (OTOT) is Own Time Own Target.

I think Michael Chiang is a great playwright; I’ve read quite a number of his plays before like Private Parts, Mixed Signals, Beauty World and, of course, Army Daze.

But I don’t think Julian or I referred to Army Daze while writing Botak Boys and Full Tank! respectively. I don’t think Jonathan Lim referred to Army Daze while directing OTOT either.

So maybe everyone should stop conflating the two productions. They are separate entities with their own merits, and the most important distinction that has to be made: one play i.e. Army Daze spoke for an era that had its own challenges (the ’80s – ’90s), while OTOT speaks for another era – our own.

If random people are going to keep on referencing Army Daze or comparing OTOT to Army Daze, it’s not only unfair for all of us, but it’s also very selfish – why stay mired in the past when we have such a beautiful chance to move on and create our own future?

The route that the tank takes in Full Tank!

In case you didn’t know, all the geography in Full Tank! is real. (It has to be; I wouldn’t sell you a lie.) So the route that the tank takes is one that can actually be mapped out.

I’ve saved everyone (i.e. scholars who might want to study my works next time, LOL) the trouble of mapping the route by using Google Maps to show you how the tank travels. I’ve included placemarks in the map, so please click on them. There’s some very valuable information in there, including pictures, which might help you visualise the geography a bit better.

For those inclined toward academia, you may want to think about how geography is mediated in literature. Or perhaps how Web 2.0 tools might be used to bring literature/drama a bit closer to everyone?


View Full Tank! in a larger map