WriteCamp Singapore 2011

Wed, 12 Oct 2011
2 min read
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Singapore Writers Festival

Just a heads up: I’ll be speaking at the upcoming WriteCamp Singapore 2011 on “Singapore Literature: Where we should be going”.

In the talk – which I’m giving in my own personal capacity – I’ll discuss:

  • Why Singapore Literature needs to be taught in Singapore schools,
  • Why this hasn’t been happening, and
  • What Singaporean writers should do to reverse this trend.

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When is WriteCamp and what’s it about? From the SWF website:

    Date: Sat, 29 Oct 2011
    Time: 2pm – 6pm
    Venue: Seminar Rooms 1 and 2, National Museum of Singapore
    Price of Admission: FREE!

WriteCamp is SWF’s take on the “unconference” – a dynamic, user-generated series of workshops and talks where presenters share their knowledge to small, passionate audiences.

Each session is typically 30 minutes, with two or three sessions running concurrently so that audiences have the luxury of choice while speakers have to keep their talks snappy and insightful.

Topics can cover the craft of writing, tips on publishing, or other writing-related subjects.

Apart from fun networking and the buzz of spontaneous creativity, Writecamp promises to shed new light on writers and writing too!

Have an idea for a talk? Send it to writecamp.swf@gmail.com with your topic and contact details and we’ll get in touch with you if it’s selected.

Please join me, either as a listener or as a speaker, if you can. You can sign up for the event here or browse the SWF website for more details.

See you there!

Mix-tape.

Mon, 5 Sep 2011
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So it was Teachers’ Day last week.

I think my, er, advice worked – I received enough Ferrero Rocher to set up my own distribution centre.

Jokes aside, one present which stood out was the Teachers’ Day video done by 10A04.

Initially, when they bounded up to me to give me the DVD, I was like, “Wow! Mix-tape for me?”

I was genuinely elated; I remember thinking: Wow, these piglets have grown! They put their PW skills to use and realised that a mix-tape would be a great gift for me because:

  • I like music,
  • Mix-tapes have symbolic value, in that they hearken back to an era that I often romanticise, and
  • Mix-tapes have artistic value, in that the choice of songs are not arbitrary but curated in order to achieve a certain effect on/send a certain message to the listener e.g. I’ve chosen these songs that I know you like because I want you to know I care, or I’ve chosen 12 of my favourite songs because I want to share my music with you (a deeply personal gesture, IMO).

Sadly, my happiness lasted for a while, because I soon found out that:

  1. It wasn’t a mix-tape, but a video, and
  2. ALL THE OTHER TEACHERS THAT TAUGHT 10A04 ALSO RECEIVED THE SAME VIDEO.

Wah lao eh! Felt somewhat cheated lor. LOL… Kidding, ya.

I really like the video; in fact, I like it so much that I want to share it with all of you here:

Click on this link in case you can’t see the embedded video.

Nice right? (BTW if you want to watch more stuff by Ansen Goh and Co., check out “A Measured Distance Away” and ObscuRed.sg .)

I’m so glad they came together to do this, not only because the video shows how much they’ve grown as a class, but also because receiving the gift has made me re-evaluate my ‘preferred present list’ – I’ve just included a section called ‘Digital Art’.

So thanks, kiddos, for all the love. I’m proud of all of you.

QLRS: Six of the Best.

Mon, 1 Aug 2011
1 min read
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Six Plays by Tan Tarn How.

My review of Tan Tarn How’s Six Plays – the text which I was busy devouring in June while recuperating from my short stint in the Weapon X Project – is now up on the Quarterly Literary Review Singapore (QLRS).

Six of the Best
Compilation revives veteran playwright’s greatest hits

This collection brings together six of Tan Tarn How’s best works thus far, written and produced over a period of 11 years (1992 – 2003). Prior to this, The Lady of Soul and Her Ultimate ‘S’ Machine (“Soul“) was published individually in 1993, and Undercover and Home were published in play collections that featured various local playwrights. The publication of these plays in one volume are, hence, important in providing readers and scholars of Singapore literature with a holistic overview of Tan’s concerns as well as showcasing the diversity of topics he writes on, while demonstrating Tan’s dexterity as a playwright when tackling a range of subjects.

Thematically, most of Tan’s concerns, as with the majority of P65 Singaporean writers, are with the socio-political environment and machinations of the Singapore state – an ostensibly natural reflection of and response towards the environment that P65 Singaporean writers have been bred in.

(continued…)