After I posted my review, Yeow issued, through a lawyer, a cease and desist letter to take down the review, alleging it was defamatory.
I had a cordial discussion about the review with the lawyer, in which I established the review was a fair comment in light of the events that transpired.
Vaune, well done on staying the course so that justice could be served. “Nolite te bastardes carborundorum”!
Joan Allen as Elizabeth Proctor in The Crucible (1996).
In Act 1, Scene 2 of Arthur Miller’s The Crucible, there’s an exchange between Elizabeth and John Proctor that goes like this:
PROCTOR: You will not judge me more, Elizabeth. I have good reason to think before I charge fraud on Abigail, and I will think on it. Let you look to your own improvement before you go to judge your husband any more.
ELIZABETH: I do not judge you. The magistrate sits in your heart that judges you. I never thought you but a good man, John, only somewhat bewildered.
(Miller; my emphasis)
That line, to me, has always been both the play right there and the most succinct demonstration of Miller’s craft as a playwright.
In contemporary usage, “bewildered” often means perplexed or puzzled.
In certain instances, the word could also refer to someone being confused as to the direction or situation they are heading or in.
In the case of The Crucible, it’s also instructive to return to the more archaic meaning of the word.
To some extent, Elizabeth is describing Proctor’s dalliance with Abigail as an example of his being led astray by her. It’s also a reference to how he has been “bewitched” by her, hence his seemingly odd behaviour.
Yet, bewilderment goes beyond more than just the transgression of sexual and marital mores.
At its core, The Crucible is about identity, in terms of the individual, society and the individual in relation to society.
While the different characters each have their own struggles with identity, Proctor’s struggle is his search for who he truly is as a person.
His bewilderment, then, is not just about how Abigail’s womanly wiles have lured him into the wild.
Much like how Salem has, ironically, corrupted itself in its attempts to retain some semblance of goodness, John’s bewilderment is a result of how he has has lost his way in the wilderness of this corrupted society and, from which, he has to find his way out, if he is to hang on to his self, and all that is good about it.
I’m proud to announce my collaboration together with my good friends from General Lee titled “Revisiting the Ballad of Bukit Brown”.
This is an interdisciplinary piece combining literary arts and music, in which I wrote “Revisiting”, a twin-cinema poem, in response to “The Ballad of Bukit Brown” by General Lee, from their eponymous debut album released in 2016.
We’ve also recorded a music video, which you can stream on Facebook and YouTube (videos embedded below for easy streaming).
From the blurb:
In this cross-disciplinary collaboration, both band and poet tell their stories in a new way and for a new age, brought about by the societal shifts and cultural changes of 2020.
Exploring the tension between conservation and progress in Singapore through the lens of the defunct Bukit Brown cemetery, the video contains images and footage of old and contemporary Singapore, sourced from both private collections as well as Creative Commons.
This includes scenes of Bukit Brown, pictures of historical figures, as well as modern-day Singapore.
This visual juxtaposition illustrates the various facets of the conversation on conservation and progress, and mirror the duality of the twin-cinema format used in the poem.
