Liberals, authoritarianism, psychoticism – and fake news

Why It Took Social Science Years to Correct a Simple Error About 'Psychoticism'

Liberals are not as psychotic and authoritarian as conservative fake news sites would have you believe.

I was reading Gabriel’s blog, which had this story on how “Study from 2012 now corrected to show liberals, not conservatives, more authoritarian”.

With the current furore over fake news – and with the story itself looking somewhat dubious – I thought I’d dig a bit deeper.

First, I found the actual paper in question. I also found the erratum that had been published.

Then, I found this page which had a link to “Why It Took Social Science Years to Correct a Simple Error About ‘Psychoticism'”.

The story provides both background and backstory to how the error was made and how the correction came about.

(As an aside, it also demonstrates how the scientific community is not immune to drama, intrigue and confirmation bias, too.)

More importantly, it explains what psychoticism means:

…psychoticism, in this case, doesn’t mean psychotic in the everyday sense of the word…. Psychoticism…is a cluster of concepts related to people’s level of individuality and penchant for falling in line — it’s measured using questions like “Do you prefer to go your own way rather than act by the rules?” Being high in psychoticism means you have less respect for rules and for order in general — it doesn’t mean you are psychotic or otherwise mentally ill. (my emphasis)

I was still curious about the authoritarian bit, though, as the story made no mention of the term.

So I went to do a bit of reading and this is what I’ve found from Professor Glenn Wilson’s lecture on “The Psychology of Politics”:

  1. Adorno et al (1950) list a number of characteristics that typify an authoritarian person, which include:
    • Tendencies toward militarism;
    • Strict morality;
    • Ethnocentrism;
    • Rigid conventionality; and
    • Blind obedience to higher authority combined with a vindictive attitude toward weaker individuals.
  2. While

    Adorno et al assume that authoritarianism was an exclusively right-wing characteristic…H. J. Eysenck (also a German refugee) reckoned that there was an equivalent authoritarianism of the left. Eysenck (1954) used factor analysis to reveal two independent dimensions of political attitudes that he called radicalism (R) and toughmindedness (T). R was basically the left-right dimension, while T was a kind of totalitarianism shared by Marxists and Fascists. Subsequent studies have shown that T connects with an aggressive and dogmatic personality style (Eysenck & Wilson, 1978). Communists and Fascists were furious at the suggestion they had anything in common and, as if to prove the point, Eysenck was physically assaulted by representatives of both groups at different times in his career. (my emphasis)

  3. And “Hirsh et al (2010) argue that liberals and conservatives are both value driven but the order of priority of the values is different. For liberals, openness, compassion and equality are uppermost, while conservatives are more concerned about order, tradition and reliability“. (my emphasis)

In other words, authoritarianism in this context doesn’t have the same connotation as the authoritarianism ascribed to dictators and despots.

It has more to do with a rigidity of world-view, and this authoritarianism is expressed in different ways as compared to conservatives.

That is, while conservatives will agitate against abortion, art they deem shocking, non-heterosexual sexuality, etc., liberals also do so in similar ways: safe spaces, gender pronouns, microaggressions, etc.

Safari Saturday

It felt like a safari on Saturday.

I awoke to a message from my dearest friend, Dr George Kookaburra. He had an excellent business proposal for me.

At last! Dr George Kookaburra, one of my dearest friends, has gotten in touch with me regarding an excellent business proposal. #419scam

Posted by Laremy Lee on Friday, 25 September 2015

 
Subsequently, I discovered a part of Paya Lebar ward had inadvertently come under the control of… ZEBRAS!

For we fear the wrath of our zebra overlords.

Posted by Laremy Lee on Saturday, 26 September 2015

 
What an exciting weekend. Spike Milligan would’ve been proud.

“What the f-awrawrawrawrawrawr* did I just watch?”: Review of Breaking Dawn – Part 2 (SPOILERS)

***

FULL DISCLOURE:

  1. THERE ARE SPOILERS IN THIS POST. Carry on reading at your own risk.
  2. Besides Breaking Dawn, I’ve never read/watched a single text from the Twilight saga/franchise/universe, including fan-made stuff, so let me know if I get some things wrong.

***

Last week, my sister and I were engaging in our usual Wibbling Rivalry i.e. having an inane discussion over Whatsapp when she suddenly asked: “Want to go and watch Twilight on Sunday?”

Now, I’ve never been a fan of the Twilight saga/franchise because of all the horrendous things I’ve heard about it.

But as the title of the song by The Strokes goes, “I’ll try anything once.” (The line is, sadly, never sung in the song – but that’s another story for another day.)

So I told myself: OK, Laremy. Let’s keep an open mind and go and watch the damn film.

After all, what’s the worse that could happen? Right?

***

To understand the Twilight saga/franchise/universe, you must first understand that it’s a chick thing and most chicks dig it.

It’s crafted in such a way that all girls get to live out their fantasy vicariously through Bella, the protagonist of the Twilight saga/franchise/universe.

Or for the more canonical-minded among you, Twilight is essentially the Wuthering Heights of the 21st century, and all the girls imagine themselves to be Catherines (Bella) finding love in a hopeless place together with their Heathcliffs (Edward).

My post-post-feminist instincts (LOL) aside, I have no qualms about that; fantasy is fantasy and I, too, enjoy reading s/f texts.

But my only – and my biggest – gripe with Breaking Dawn – Part 2 is that it’s SO f-awrawrawrawrawrawr-ing badly written.

And so the worse did happen: Breaking Dawn – Part 2 now has the dubious honour of being the first film in my entire life that I’ve wanted to walk out from.

However, it also has the dubious honour of being the only film I’ve stayed on to watch because it was so bad that it was hysterically hilarious.

How hysterically hilarious? Let me count the ways (SPOILER ALERT):

  1. The opening was very Bond-esque but unlike the Bond films, it didn’t seem to have a deeper semiotic/thematic meaning (I could be wrong).

    But again, because I have an open mind, I thought: OK, because of this Bond-esque sequence, let’s give this film a shot and try to watch it with the assumption that it has some cinematic value. And so…
  2. …I made the biggest mistake – and I snorted out loudly in the cinema because of this – by assuming there was a deeper meaning to the ripped-out page.

    To explain: Alice, one of the characters, scribbles a note for Bella on a page that she rips out from The Merchant of Venice (for the wankers among you: desecrating the canon; post-post-modernist revisionist yada yada yada).

    The moment I saw it, though, I immediately started thinking: OK, maybe it has something to do with a “pound of flesh” and all that jazz.

    But imagine my amused, snorting horror when it was revealed that the ripped page was just that – a page ripped out from The Merchant of Venice because it was convenient to do so!

    After that, I just gave up and started taking the show at face value – which I should’ve done from the very beginning.

    But still, there were other exceptionally literal moments…
  3. …such as The Volturi.

    I initially heard it as The Vulturi and was quite impressed because of the connotations – menacing scavengers a la vultures; policing the skies; ridding the land of carrion because they have transgressed the laws of life; etc.

    But then I come home… and realise it’s spelt as Volturi.

    Like, what the f-awrawrawrawrawrawr, man. I know there’s an attempt at historical significance – but calling them the Volturi is so f-awrawrawrawrawrawr-ing unthinkingly lazy!

    And I’m sure I’m not the only one who appreciates how much more aesthetically pleasing it would’ve been if the f-awrawrawrawrawrawr-ers had been named The Vulturi who live in Volterra. Right? Right?

    But was this the only incongruity in this universe? No…
  4. …there was also the incongruity of other laws of nature established in the universe.

    Some background information: in s/f texts, the universe that’s created is different from the one we inhabit.

    So there are alternate (social, environment, legal, biological, etc.) laws in this reality that must be intricately crafted and then connected together, otherwise the premise of the text falls apart.

    In the Twilight world, the vampires have supernatural sensory perception e.g. Irina, one of the members of the Volturi, is able to see Renesmee from afar (like, 20km away).

    And in that instant, she assumes that Renesmee is a vampire child and therefore, the Cullen coven have broken the vampire laws.

    Which doesn’t make sense because the other vampires can see and smell and hear things like heartbeats, the warmth of blood coursing through veins and werewolf scent – and this is demonstrated throughout the entire movie.

    So why couldn’t Irina have done this and saved everyone the trouble? Right? Right?

    Cringing yet? Don’t, because this isn’t the most cringe-worthy moment…
  5. …especially when you compare it to the unbelievable dialogue, which is SO contrived that it’s like eating Mega Sour Lemon Candy – on an empty stomach.

    Example (I’ve paraphrased to the best of my memory):

    Setting – intimate scene between BELLA and EDWARD. EDWARD sensuously and slowly unbuttons BELLA’s top.

    Bella: I know how to undress myself.

    Edward: But I can do it better than you.

    What? What? Who speaks like that? Who?

  6. But the winningest moment of the movie was when ‘he-woke-up-and-found-out-that-it-was-all-just-a-dream’.

    To explain: the audience is made to believe that the fight sequence between the Volturi and Edward and Bella’s gang is real.

    However, it’s subsequently revealed that the fight sequence is actually part of a vision shown to Aro by Alice of a possible ending (that goes badly for him) if he chooses to fight Edward and Bella’s gang.

***

Sigh.

The only redeeming grace of Breaking Dawn – Part 2 is that it (strangely enough) can be read as an allegory of Singapore society.

Or maybe I was just trying to make myself feel better about watching such a horrendous show…

*shrugs*

For what it’s worth:

  1. The vampire covens are like the [redacted] people of Singapore – concerned about petty things (e.g. “imprinting”??? WTF man!), not wanting to speak up when it’s time to do so, not wanting to be involved in conflicts with the Gahmen, not wanting to be quoted in the newspapers… the list goes on.
  2. The werewolf packs are [redacted because Singapore but can ask me in private].
  3. The Volturi are – jang jang jang! – the PAP government which governs vampire (Singapore) society.
  4. Vampire society respects the Volturi out of fear; it’s an uneasy relationship between the vampires and the Volturi but so long as vampires can carry on cavorting in fields of violets, the status quo is allowed to remain.
  5. The Volturi want to clamp down on what they perceive as potential threats to their power, but they frame it as potential threats to vampire society (perpetual siege mentality/crisis mode).
  6. When vampire society decides to challenge the Volturi, there is a very high possibility that the Volturi might be undermined/overthrown (a la GE2011).
  7. Hence, the Volturi make some concessions to vampire society – which allows the Volturi to remain in power and vampire society to continue cavorting in fields of violets (artificial/constructed social compact).
  8. The threat of the Volturi snapping off the heads of vampires stil remains (climate of fear).
  9. Last but not least, Vladimir and Stefan are the SDP, which wants to be involved in any democratic conflict with the PAP government regardless of what the conflict is.

    When the conflict is averted and the the artificial social compact allowed to remain, Vladimir and Stefan stage a protest.

    When no one pays them any heed, Vladimir and Stefan run away to lick their wounds… and possibly avoid bankruptcy so they can return to fight another day (or in another election, at least).

***

* f-awrawrawrawrawrawr: Werewolvian for “fuck”.