Moving out: A garage sale and give-away

Somewhere only we know.
Somewhere only we know.

I’m moving – and I’ve got things to sell/give away!

Pics, descriptions and prices of items available here.

More items, pics and descriptions coming soon!

Prices negotiable. Please arrange for your own delivery.


Moving Out – Garage Sale/Give-Away
DATE: Mon, 28 Dec 2015 and Tue, 29 Dec 2015
TIME: 11am to 9pm (both days)
VENUE: 646A Upper Serangoon Road, Singapore 534580


Bus: Use

Train: Stop at Serangoon station, take Exit D and walk towards Lorong Lew Lian.

Car: Park at the multi-storey carpark at Blk 2A, Lor Lew Lian.

Interview with MyPaper for Hands Down at Going Local 4

MyPaper interviewed me for a story on Going Local 4.

Going Local is a production by Buds Theatre Company. Find out more from yesterday’s post.

The transcript of my interview, as follows:

  1. Name, age, occupation:
    Mr Laremy Lee, 32, playwright.

    I am presently a schools correspondent with The Straits Times. I will be moving to the School of the Arts, Singapore at the end of the month (June 29, 2015), to teach literature and literary arts.
  2. How do you feel about your play being picked as a feature of Going Local 4?
    It is both a privilege and an honour to be part of a proud tradition started by Buds Theatre Company’s artistic director Claire Devine.
  3. Summarise Hands Down in 14 words or less.
    A married couple discovers their incompatibility while in a competition to win a car.
  4. What inspired your passion for playwriting?
    I have always had a love for writing and the English language. Theatre is one of the avenues in which I express myself creatively.
  5. The play on paper can be vastly different from the creature on stage – are you prepared for any potential changes?
    Staging a play is like sailing a ship; with all hands on deck, everyone – from cast to crew – works to move the play forward.

    As with all ships I’ve built, I leave this vessel in the good hands of the director, who will steer it in the direction she thinks best.

    I’m fine with it taking a different tack – so long as it doesn’t go off course.
  6. What do you hope to achieve with Hands Down?
    I wrote the play in response to a trend taking place in Singapore society and mirrored in my circle of friends.Because of the way housing policy is designed, many young Singaporean couples ballot for public housing at a young age.

    When the key arrives some years later, some of these couples – having grown in age and maturity – realise they are not as in love with each other as they used to be.

    Understandably, the sunk cost is, sometimes, perceived as greater than the benefits of backing out of the impending nuptials. These couples end up entering an unhappy marriage, along with all its attendant ills.

    Is there a better way for Singapore to enact pro-marriage policies, while balancing housing considerations in a country with limited land? Or is it a case of mismatched expectations versus a practical reality, when it comes to finding a companion and a life partner? I hope the play gets people to start thinking about these issues – or even finding a solution, if possible.
  7. What are some memorable things theatre practitioners have said to you?
    One common sentiment expressed by many writers – playwrights, poets, novelists, etc. – whom I know: For every play that goes to stage, or every book that goes to print, there are dozens more that remain as unfinished drafts or rejected manuscripts, languishing in the bottom of the drawer.

    The Pareto principle suggests that 80 per cent of an artist’s best output is going to come from 20 per cent of his input. So it could well be that 80 per cent of your time might be spent achieving 20 per cent of your work.

    Having said that, don’t settle for inefficiency. Learn from the mistakes you make, and and don’t make the same mistake again. Better yet – get a good mentor who gives good feedback. It’ll cut down the time you’d need to take to get to where you want to go.

Book your tickets here. If you’d like to, you can read the 2012 version of Hands Down here.

Let singles own HDB flats at 25? Why, of course!

Oh my gosh, Lau Geok Theng – the problematics of “urbanised Western attitude” aside, I totally forgive you for giving me a C+ in Asian Markets and Marketing Management back in the summer of 2006!

Let singles own HDB flats at 25

WHILE it is gratifying to read that the Housing Board is reviewing the rule governing co-sharing of flats by siblings (‘HDB to review rule on siblings’; Jan 18), the HDB should also lower the age for flat ownership by single citizens by a decade to 25 years of age.

As Singaporeans adopt a more urbanised Western attitude, it would make sense to accommodate their obvious desire to live on their own.

Such a move should not be seen as a lack of filial concern for their parents. My two children do not live with me, yet we have healthy relationships.

Staying out enables young people to grow up and be more independent. It prepares them to be better partners and parents in the future.

Many parents in our Asian culture still mother their adult children and make decisions for them. Many even impose curfew hours for their single adult children when the latter are well into their early 30s.

We can encourage these young single people to get married by providing generous incentives when they upgrade their flats to get married.

Young adult citizens at an early stage of their careers form a large proportion of the group of Singaporeans who face the middle-income squeeze and they would certainly welcome assistance, given the stiff property prices.

Dr Lau Geok Theng