laremy.sg

If you believe in regulation - not censorship – of the arts in Singapore, pen your name down in support of this change.

Be sure to read the position paper or download it so that you are aware of all the issues involved in this process.

(via)

THE National Arts Council (NAC) has cut the annual grant given to local theatre company Wild Rice. It will get $170,000 this year, down from $190,000 the year before.

It is the lowest annual grant that the company has received from the council. Artistic director Ivan Heng says the council told him funding was cut because its productions promoted alternative lifestyles, were critical of government policies and satirised political leaders.

– Adeline Chia, NAC cuts W!ld Rice funds

Food for thought, given the current context at work.

1. How is it like working with each other?
   Great! Jon and I have learnt a lot from each other over this production and the last. I’m glad to have had the opportunity to work with him, as he’s very committed to the craft and is always working to get the best out of the text: whether it is in terms of using the best line to convey a certain meaning, or in terms of putting the actors through their paces in order for them to convey the best emotion.
2. What changes were implemented from the previous run of OTOT in 2008?
   The main consideration has always been giving the customers what they want, so we’ve listened to audience feedback when revising the plays. We wanted to make the play a better experience for audience in terms of entertainment and artistic value, so I’ve made changes to the action and the dialogue. For example, there were some concerns that last year’s version of Full Tank! was draggy and heavy-handed; I’ve gone through the script again to cut out repetitive lines and reduce clumsy expressions.
   
   At the same time, I actually experimented with a few different scenarios, character motivations, etc. while making revisions to the script that was used during the OCBC Singapore Theatre Festival 2008. However, I’ve returned to the original plot that made Full Tank! a success, because I realised the stories that were told were what endeared the play to the audience. All that was needed was a bit of tweaking to the mechanics of the plot and it’d be good to go.
3. Did you join any Arts clubs/Theatre societies when you were an undergraduate?
   I was a hostelite through and through so I participated mainly in activities within Kent Ridge Hall. I co-wrote and edited two Hall Productions and contributed three short plays for an Inter-Hall Drama Fest in 2008 (one of which – The Last Political Animal – was censored by the Media Development Authority).
   
   However, I think it wouldn’t be wrong to say that participating in activities outside of clubs and societies might have had a greater part to play in helping me hone my writing abilities. I read two modules taught by Huzir Sulaiman – EN2271: Introduction to Playwriting and EN3271: Advanced Playwriting. It was during that period that an early draft of Radio Silence, an absurd play about National Service, was read by Ivan Heng. This resulted in Ivan nominating me to participate in World Interplay 2007, an international playwriting festival held in Australia. My participation in this festival was co-funded by grants from the University Scholars Programme.
4. What led to your decision to pursue a career in the Arts?
   Unlike the others, I’m not working in the Arts full-time. I’m actually teaching the General Paper at Saint Andrew’s Junior College, but I still enjoy writing as a means through which I can take part in the Singaporean conversation about things that aren’t always very easy to talk about in the mainstream.

I’ve had an idea in my head for some time now and this exhibition seems like the best place to start.

If you’re a photographer and are interested in collaborating with me (I have no equipment and/or training but am usually chockful of  ideas and have a keen eye for what makes a good shot), please:

• peruse the guidelines for the exhibition, and
• drop me a comment/message and I’ll tell you more about what I wanna do. The theme of the photo(s)  I wanna take has to do with surveillance and censorship in urban Singapore.

It may not reach fruition i.e. you may not be keen or the project may not pan out, but it doesn’t matter – what’s important is that we try.

Let’s go.

I’ve just submitted three poems for a new and independently-run publication based in Singapore!

It’s called Ceriph; you can check out their Facebook group here.

Their mission:

We exist to provide a space for Singaporeans to develop and showcase ideas and work in the form of prose, social commentaries, art, musings, photography, and much more. We want to share these without inhibition, to celebrate these thoughts and their existence. As a non-profitable venture, we are depending solely on the interest of readers and contributions from Singaporeans who are equally passionate about the locally developing arts and writing scene.

If this appeals to you too, I’d strongly encourage to submit some of the stuff you’ve been keeping under wraps.