Hard truths.

This was one of the results on Google Images so I used it.

The Laremy Lee version.

  1. Human beings are animals.
    That’s why you can learn a lot about humanity by watching Dog Whisperer. That’s also why we need rules and boundaries to maintain order, especially when…
  2. Human beings are like currents – they follow the path of least resistance.
    Not everyone is altruistic enough to do that which takes effort to be done, hence the solution in (1).
  3. Every child is a reflection of her/his parents. Similarly, every student is a reflection of her/his teacher(s).
    A lackadaisical child/student is the product of lackadaisical parents/teachers.
  4. From (3), the way a child/student speaks is the exact same way her/his parents/teachers speak.
    A polite, eloquent child/student is the product of polite and eloquent parents/teachers. Ill-mannered, uncouth and impolite children/students…

    By the way, not to belabour the point, but this is also why the Speak Good English Movement will never succeed – because it addresses the wrong target audience.
  5. In most situations, less is more.
    That’s why I’m ending here.

What are some of your hard truths?

Also, if anyone can design/customise a picture for me (i.e. include my picture as well) based on the original text, I’d be very grateful!

Piglet race.

LOOKIT THESE PIGLETS FLY!

NOTE: I was contemplating publishing this in the school newsletter, but I decided this was the better platform.

The poem stems from something I’ve been thinking about for a while, because I’ve wanted to find a way to thank my students and wish them well.

I started writing the poem last week in the midst of marking and all that jazz, but I’ve decided that the poem is done and it’s time to put it up.

Last but not least, “piglet” and other porcine-related words are figurative and not literal, and is in no way meant to demean or denigrate – I thought I had better make this clear, just in case, and I apologise if I inadvertently offend anyone.

Piglet Race
By Laremy Lee

For all my piglet children.

I see you all bounding toward me
with the innocence of bacon,
the look in your eyes squealing:
in another life, I could’ve been char siew.

Your heads held up in earnest,
your snouts pointed to the sky,
you radiate pink with promise and youth
as you race toward the future, on a path

you’ve often been prodded along.
Remember, though, before I let you go:
life must be as easy as a piglet race
but not as simple as one.

Fly like the wind. Leap
as high as you can, over
hurdles set out like nets.
Look cute while doing so.

But wait for fellow piglets if
they pause. Help them if they falter.
We are as much competitors
as we are comrades-in-trotters.

Fortunately (or unfortunately),
like Fleance, you will soon flee
leaving me behind as Time flies
to pick my pocket once again,

as it did me when I was a piglet like you;
as it will you when you are a boar like me.
Another set of piglets will round the bend,
bounding toward me with all their might,

even going so far as to – who knows? –
one day, also bound toward you,
till your heart beams and your smile says,
“That’ll do, pig. That’ll do.”

Mix-tape.

So it was Teachers’ Day last week.

I think my, er, advice worked – I received enough Ferrero Rocher to set up my own distribution centre.

Jokes aside, one present which stood out was the Teachers’ Day video done by 10A04.

Initially, when they bounded up to me to give me the DVD, I was like, “Wow! Mix-tape for me?

I was genuinely elated; I remember thinking: Wow, these piglets have grown! They put their PW skills to use and realised that a mix-tape would be a great gift for me because:

  • I like music,
  • Mix-tapes have symbolic value, in that they hearken back to an era that I often romanticise, and
  • Mix-tapes have artistic value, in that the choice of songs are not arbitrary but curated in order to achieve a certain effect on/send a certain message to the listener e.g. I’ve chosen these songs that I know you like because I want you to know I care, or I’ve chosen 12 of my favourite songs because I want to share my music with you (a deeply personal gesture, IMO).

Sadly, my happiness lasted for a while, because I soon found out that:

  1. It wasn’t a mix-tape, but a video, and
  2. ALL THE OTHER TEACHERS THAT TAUGHT 10A04 ALSO RECEIVED THE SAME VIDEO.

Wah lao eh! Felt somewhat cheated lor. LOL… Kidding, ya.

I really like the video; in fact, I like it so much that I want to share it with all of you here:

Click on this link in case you can’t see the embedded video.

Nice right? (BTW if you want to watch more stuff by Ansen Goh and Co., check out “A Measured Distance Away” and ObscuRed.sg .)

I’m so glad they came together to do this, not only because the video shows how much they’ve grown as a class, but also because receiving the gift has made me re-evaluate my ‘preferred present list’ – I’ve just included a section called ‘Digital Art’.

So thanks, kiddos, for all the love. I’m proud of all of you.

How to compose an e-mail message.

E-mail.

In the last few years, I’ve noticed a trend: most students don’t know how to compose e-mail messages, even if their lives depend upon it.

That’s quite a pity, because this is actually a compulsory skill taught at the ‘O’ Level. Specifically, it’s taught in the English Language Paper 1, in Section 2, or the Situational Writing section.

Perhaps it’s not made so explicit i.e. perhaps teachers don’t teach students how to write e-mail messages per se.

But I know for a fact that teachers do prepare their students to write formal letters – the structure of which can be used in e-mail messages.

So it’s either one of two things:

  • Most people need to be taught specific actions for each scenario in life, or
  • Most Singaporeans have been taught to the test so much that the ability to transfer and/or apply knowledge learnt in class has been lost entirely on them.

In any case, I’ve also learnt that if people make mistakes and aren’t corrected at specific points in their lives, they go through the rest of their lives carrying said mistake(s) with them.

THEREFORE!

So that I don’t need to keep on repeating myself over and over again, this is the Mister Laremy guide to crafting an appropriate e-mail message!

(Round of applause, please.)

Dear student,

Thank you for your e-mail. Please take note of the following:

  1. For future correspondence, you must include a salutation that addresses the recipient of your e-mail or letter e.g. Dear Sir, Dear Madam, Dear Mr Laremy, etc.
  2. You must also include a paragraph or two of text that explains the purpose of your message. A blank e-mail message literally does not say anything.
  3. Use a valediction or a sign-off appropriate to the content and tone of the message e.g. “Yours sincerely” or “Sincerely” since you are a student writing to a teacher, in this case.
  4. An example of how you can craft a simple but appropriate e-mail message:

    “Dear Mr Laremy,

    I have attached my assignment to this e-mail.

    Thank you.

    Yours sincerely,
    A. Long-Suffering Student”

  5. Other things that you will find useful:
    • If your work is late, you must start off your letter by apologising for not being able to meet the deadline and then requesting for an extension to the deadline.
    • I believe you mean to use the word “deadline”, not “dateline”. Please consult a dictionary to ascertain the meanings of the respective words.
    • When you write to teachers, you cannot adopt a superior tone in your e-mail because we are not your subordinates. This means that I have a bit more leeway in terms of using phrases like “Please take note” – but you don’t.
    • Neither can you adopt a familiar tone with teachers in your e-mail – we may be friendly, but we are not your friends.
  6. If you’re not convinced, or you don’t see how knowing this will help you in life, you may want to refer to this website.

Have a great day ahead.

Thanks,
Laremy

Richard III: The Man and his Ideas.

I know some of you are still confused about the characters and the action in the play, so I’m going to share some web resources with you, which I hope will provide you with more guidance in your study of Richard III.

What’s important is that you invest some time and effort into reading all the material including your text. You must also actively re-read your materials and refer to them continuously e.g. refer to the family trees as you read the history. This will help you make the connections which you need to better understand the play.

If you do this diligently and in a disciplined fashion, I guarantee that you will see the academic pay-off sooner than later.

  1. Student Guide to the Play.
    This Insight Text Guide may be a six-page preview but I think it will help to clarify some of your doubts.

  2. A Brief History of Richard III and the War of the Roses.
    I covered this in my introductory lecture, which can be found on Moodle along with notes for revision. If you feel that you need more background context/information, you can find it here:

    • You Can’t Tell the Players without a Scorecard.
      This is a simplified history which is quite different from the action in the play. Please bear this in mind when you read this article.
    • Richard III – A Man and his Times
      Another summarised history, which again is very different from the play we are studying. I’d like you to read this for insight into writing style; the tone of this article differs from the previous as it tries to dissuade the reader from believing the traditional portrayal of Richard III.
  3. Family Trees.
    Last but not least, many family trees which you must refer to when you read the above material or the play, so that you can attempt to map the interactions between each character, or at least differentiate one similarly-named character from the other. A gentle reminder: there is also a Plantagenet Family Tree on p. 262 of your text.

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