Mix-tape.

So it was Teachers’ Day last week.

I think my, er, advice worked – I received enough Ferrero Rocher to set up my own distribution centre.

Jokes aside, one present which stood out was the Teachers’ Day video done by 10A04.

Initially, when they bounded up to me to give me the DVD, I was like, “Wow! Mix-tape for me?

I was genuinely elated; I remember thinking: Wow, these piglets have grown! They put their PW skills to use and realised that a mix-tape would be a great gift for me because:

  • I like music,
  • Mix-tapes have symbolic value, in that they hearken back to an era that I often romanticise, and
  • Mix-tapes have artistic value, in that the choice of songs are not arbitrary but curated in order to achieve a certain effect on/send a certain message to the listener e.g. I’ve chosen these songs that I know you like because I want you to know I care, or I’ve chosen 12 of my favourite songs because I want to share my music with you (a deeply personal gesture, IMO).

Sadly, my happiness lasted for a while, because I soon found out that:

  1. It wasn’t a mix-tape, but a video, and
  2. ALL THE OTHER TEACHERS THAT TAUGHT 10A04 ALSO RECEIVED THE SAME VIDEO.

Wah lao eh! Felt somewhat cheated lor. LOL… Kidding, ya.

I really like the video; in fact, I like it so much that I want to share it with all of you here:

Click on this link in case you can’t see the embedded video.

Nice right? (BTW if you want to watch more stuff by Ansen Goh and Co., check out “A Measured Distance Away” and ObscuRed.sg .)

I’m so glad they came together to do this, not only because the video shows how much they’ve grown as a class, but also because receiving the gift has made me re-evaluate my ‘preferred present list’ – I’ve just included a section called ‘Digital Art’.

So thanks, kiddos, for all the love. I’m proud of all of you.

How to compose an e-mail message.

In the last few years, I've noticed a trend: most students don't know how to compose e-mail messages, even if their lives depend upon it. (PHOTO: MyLearningSolutions.org)

In the last few years, I’ve noticed a trend: Most students don’t know how to compose e-mail messages, even if their lives depend upon it.

That’s quite a pity, because this is actually a compulsory skill taught at the ‘O’ Level.

Perhaps it’s not made so explicit i.e. perhaps teachers don’t teach students how to write e-mail messages per se.

But I know for a fact that teachers do prepare their students to write formal letters – the structure of which can be used in e-mail messages.

So it’s either one of two things:

  • Most people need to be taught specific actions for each scenario in life; or
  • Most people have been taught to the test so much that the ability to transfer and/or apply knowledge learnt in class has been lost entirely on them.

In any case, I’ve also learnt that if people make mistakes and aren’t corrected at specific points in their lives, they go through the rest of their lives carrying said mistake(s) with them.

THEREFORE!

So that I don’t need to keep on repeating myself over and over again, this is the Mr Laremy guide to crafting an appropriate e-mail message!

(Round of applause, please.)

Dear student,

Thank you for your e-mail message. Please take note of the following:

  1. For future correspondence, you must include a salutation that addresses the recipient of your e-mail or letter e.g. Dear Sir, Dear Madam, Dear Mr Laremy, etc.
  2. You must also include a paragraph or two of text that explains the purpose of your message. A blank e-mail message literally does not say anything.
  3. Use a valediction or a sign-off appropriate to the content and tone of the message e.g. “Yours sincerely” or “Sincerely” since you are a student writing to a teacher, in this case.
  4. An example of how you can craft a simple but appropriate e-mail message:

    “Dear Mr Laremy,

    I have attached my assignment to this e-mail message.

    Thank you.

    Yours sincerely,
    A. Long-Suffering Student”

  5. Other things you will find useful:
    • If your work is late, it is courteous to provide an apology for not being able to meet the deadline. This would help your case if you need to request for an extension to the deadline.
    • The word you want to use is “deadline”, not “dateline”.
    • When writing to teachers, do not adopt a superior tone in your message; we are not your subordinates. This means that I have a bit more leeway in terms of using phrases like “Please take note” – but you don’t.
    • Neither should you adopt a familiar tone with teachers in your message – we may be friendly, but we are not friends.
  6. You can refer to this website for more info about this. There’s a little activity at the end which you can try too.

Thank you.

Best regards,
Mr Laremy

Richard III: The Man and his Ideas.

I know some of you are still confused about the characters and the action in the play, so I’m going to share some web resources with you, which I hope will provide you with more guidance in your study of Richard III.

What’s important is that you invest some time and effort into reading all the material including your text. You must also actively re-read your materials and refer to them continuously e.g. refer to the family trees as you read the history. This will help you make the connections which you need to better understand the play.

If you do this diligently and in a disciplined fashion, I guarantee that you will see the academic pay-off sooner than later.

  1. Student Guide to the Play.
    This Insight Text Guide may be a six-page preview but I think it will help to clarify some of your doubts.

  2. A Brief History of Richard III and the War of the Roses.
    I covered this in my introductory lecture, which can be found on Moodle along with notes for revision. If you feel that you need more background context/information, you can find it here:

    • You Can’t Tell the Players without a Scorecard.
      This is a simplified history which is quite different from the action in the play. Please bear this in mind when you read this article.
    • Richard III – A Man and his Times
      Another summarised history, which again is very different from the play we are studying. I’d like you to read this for insight into writing style; the tone of this article differs from the previous as it tries to dissuade the reader from believing the traditional portrayal of Richard III.
  3. Family Trees.
    Last but not least, many family trees which you must refer to when you read the above material or the play, so that you can attempt to map the interactions between each character, or at least differentiate one similarly-named character from the other. A gentle reminder: there is also a Plantagenet Family Tree on p. 262 of your text.