The Official Website of Laremy Lee (李庭辉)
In case you’ve ever wanted to see me on screen (fully-clothed, fortunately), be sure to catch Cloud by Tara Tan.
I’ve got a small part as a lawyer in this mixed-media installation piece on memory and the city.
The showing is on Sat, 22 June 2013 at 3pm or 8pm at the Esplanade Theatre Studios, so book your tickets by dropping an email to raw [at] esplanade [dot] com
Admission is free. More info here.
So I left on a jet plane to Korea on Sun night/Mon morning.
This trip has been in the works for the last three months, so I’ve spent that time prepping for it – buying clothes, handling administrative matters, having a Laremy Lee Farewell Tour, etc.
Which was all fun but super tiring, considering the other two big things I had to juggle consecutively/concurrently: relief teaching and an In-Camp Training.
I also spent the last three months informing people that I was making this trip, usually in response to having to politely decline meet-ups, wedding invitations, work, etc.
Most times, I managed to stun the people I was talking to into silence by telling them that I was going to Korea for plastic surgery.
Of course I did eventually reveal to them the real reason, which you can read about here.
I got the plastic surgery idea from my friend Yanhe, who – unbeknownst to me and his fiancee – told his fiancee I was going to Korea for an operation to improve my face.
When the three of us met for dinner, I spent a large part of the conversation trying to figure out why Yanhe’s fiancee was trying to avoid talking about Korea – until Yanhe revealed to us his deviousness.
Anyway, I’m finally in Korea.
So far I’ve been updating friends/family about how life is like, recovering from jet lag (and possible Laremy Lee Farewell Tour fatigue) and settling into the routine of breakfast before 10am, lunch at 12pm and dinner at 6pm.
I also made a new friend.
After reporting this news to the Checkpoint Theatre Whatsapp group, I promptly got scolded by Koh Bee Bee, who said, “We asked you to make friends with Korean ladies, not Korean ladybirds.”
Bee Bee is one of the many who has either encouraged me to bring home a Korean girlfriend (why, Singaporean girls not good enough, is it?) or shag as many Korean girls as possible (why, Singaporean girls not – OK, let’s not go there).
You can see where Singaporeans have their priorities – between making love and making art, they choose making love. Very pragmatic.
Although a friend did point out to me that making love to some people is akin to making art.
For the record, in any case:
Some pictures of how Toji Cultural Centre looks like:
More (and better-taken) photos over here.
So that’s it for now, folks. I’ll provide more updates on the weather, language, food, activities, etc. in time to come.
Assuming North Korea doesn’t decide to strike first, that is. But that’s a premise for another play.
As part of the activities for the All In! Young Writers Media Festival 2013, I’ll be moderating this panel next week:
Playwriting to Directing
Date: Sat, 23 Feb 2013
Time: 2pm – 3pm
Venue: Imagination Room, Level 5, National Library, 100 Victoria Street, Singapore 188064
Join Chong Tze Chien and Zizi Azah, who have both served as playwright and director in their turn, as they discuss the nuts and bolts of the details involved in the production of a play. How much of a say do actors get? How strong is the influence of lighting and sound direction? Where does the playwright’s voice end and where does the director’s vision begin? These burning questions and more will be answered during this session.
Please join me!