My e-mail to the ST Forum Online yesterday has been published, albeit under a different heading and very much moderated in tone.
“One of the implications of more people working for themselves, and working from home, is that people will be somewhat freed from the tyranny of teamwork. I wonder if that bodes well for the future of humanity.”
“MP for Aljunied GRC Cynthia Phua has asked that the government reviews its policy and consider adopting the modular system in secondary schools.
She said that this will help students focus on the subjects that suit their standards and do well before moving on to the next level of subjects.” – Yes!
“Mediacorp has been calling up actors and making appointments with them to attend an audition at Mediacorp for an English-language project which has been described as a “still in development drama-dy”. This is in fact completely disingenuous.”
Everyone – you must read this. Your heart will break, and then you will be Singaporean.
“Yet, are heartlanders necessarily conservative? Or are we being bulldozed into thinking so by the insistent framing of the issue in this way?” — I say yes. Sometimes when ideas are repeated enough, they become the truth. I have an example I want to share with everyone, but maybe in another post, when the time calls for it.
“The Canadian Plastic Industry Association commissioned a study concluding that using cloth bags is bad for your health because they’re full of bacteria (and certainly not because using cloth bags is bad for the profitablity of Canadian Plastic Industry Association members!).”
“I think it’s the right thing to do because before I started, almost no kid at school but myself took an active interest in reading! Now not only are all the kids reading the banned books, but go out of their way to read anything they can get their hands on.”
Er… Okay.
From: Laremy Lee
Date: May 26, 2009 3:18:07 PM GMT+08:00
To: stforum@sph.com.sg
Subject: Let’s stand together and stop the name-calling.Dear Madam/Sir,
I REFER to Mr Tan Keng Soon’s letter (‘’Sexually challenged’ isn’t an offensive term referring to gays’, May 26).
I acknowledge that there will always be some people in Singapore who might not readily accept our fellow Singaporeans for who they are. However, I feel we should not be calling them names.
It is unclear whether using labels like ‘sexually challenged’ may make a difference to the sexual orientation of Singaporeans. What we do know is that using negative labels are hurtful, and are tantamount to a form of hate speech.
If we persist in using such terms, we are only persisting in being divisive, which is socially and economically unviable for Singapore. Divisiveness in society, as history has shown, is fertile ground for external elements to bring a country to its knees.
At the same time, I have had enough of seeing Singapore divided over this matter, especially in fragile times like these.
I think it is time we stand together and stop the name-calling. All of us have our differences, but the one thing we share in common, besides being Singaporean, is being human.
Let’s try to work on that, shall we?
Thank you.
Yours sincerely,
Laremy LEE (Mr)
Well, I’ve been thinking about this for a while – since August 2008 to be precise, after the reviews for OTOT came out. So I guess now is as good a time as any to talk about it.
To contextualise things slightly: the general opinion of Something Old hasn’t been very positive. From a personal standpoint, I agree wholeheartedly – while the premise of the play was intriguing, the way I handled the dialogue, drama and action left much to be desired.
So I’m cool with it if reviews say the play was poorly written. For one, everyone is entitled to their opinion; for another, I am my worst critic, in more ways than one: I am self-aware enough to recognise when something did not work. In the case of Something Old, it worked, but it could’ve worked better if I hadn’t been so heavy-handed with the writing.
But back to the point about reviews. What I want to question is: what is the relevance and value of a review, if the review merely says a particular piece of art was bad? (Sidenote: Students might want to approach this from the classroom perspective e.g. when you say a teacher can’t teach well.)
I think reviews – regardless of what is being reviewed – should have some relevance and value. One might argue that a review’s relevance and value is in informing the general public if a production is worth watching or a book is worth buying, etc. That makes sense: people neither want to waste their money on bad theatre nor do they want to waste money on bad books, or bad education, and so on.
But on the other hand, where is the sustainability in that? With some hindsight any artist worth her salt will recognise when a piece of art is shite. Being told that the art is shite doesn’t make the art any better, but only serves to make the artist feel crappy too. Save the stereotype of the artist as having a sensitive soul, most people are human, and if I may take this opportunity to add: not kind words from friends cut deeper than stones from strangers do.
So: here’s The Laremy Challenge (cheh…). For anyone who’s reading this – bloggers, journos, winos, blogger-journos, journo-winos and the like – I’d like you to keep the idea of sustainability in mind when you next write a review about something.
If that something sucked – be frank. Say it sucked. But say it in a sustainable fashion. Say it sucked nicely and then say how it sucked, and what could’ve been done to stop it from sucking so much e.g. if the piece had been written this way, or if it had been painted that way, etc.
I think if you try this, you might find your review still sells. People will want to read you so long as you write well, and any writer worth her salt will know how well s/he writes after a bit of hindsight.
But what’s more important is that the art you create is going to help someone else become a better artist. At the very least, you might realise that creating good art, in all senses of the adjective, isn’t so easy after all.
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